Search: Starring Sergi Lopez

This initially seems like a set-up for a film exploring mental reconciliation after estrangement but the Larrieus have other ideas - perhaps too many of them.

Sex has seldom been better served for discerning, romantic sensualists.

Ejiofor's performance is perfectly judged.

As a short history of a relationship, it has an honesty that cuts through convention.

Newcomer Tardiolo is splendid in the lead.

As a study in psychopathic single-mindedness, its sickness is its strength.

Benchetrit keeps a firm hand on the tiller, despite some of the film's more wild flights of fancy - including a perfectly pitched homage to silent film.

It's deliciously grown-up.

Recha depicts a hardscrabble existence but finds fleeting moments of beauty, affection, and pleasure by focussing on the things that truly matter to Arnau.

Although this is set in the Nineties, the gritty feel makes it redolent of Seventies-set thrillers, a mood reinforced by the way that du Welz embeds us in Paul’s life from the start.

Gilliam’s script cannot quite stand the excesses of his own imagination.

Structured like a Greek tragedy, steeped in Gothic gloom, this is a bold and dramatic tale but also a sly one.

This is not so much a love story as sex warfare.

This film, like it's central character is wilfully complex and surprisingly fluid, wrong-footing us as we try to fill in the spaces between each vignette at the same time as drawing us to its thriller component.

The boy, played by the director's seven-year-old son Roc, looks almost as bored with the tale as we are - too many takes, perhaps?

The languid mood contrasts with the most dangerous topics.

A masterpiece of accomplishment.

There's a gentle feel-good sweep to Grégory Magne's French dramedy, which though it is built of familiar elements, remains a very watchable blend.

Although Ozon never quite makes his mind up about the tone of the piece, the weird juxtaposition of the normal and abnormal is mostly effective.

This new film, like all the others, has some of that old Woody sauce as well that gives it some charm, but it’s a mere shadow of its old self.

With beautifully drawn characters and superb performances all round, Icíar Bollaín's enchanting comedy draws viewers into a world where romance is not dependent on a committed relationship and love takes many different forms.

The film looks amazing, but it sounds even more incredible.